Bliptronic – it’s not just for blips anymore!

Bliptronic 5000I’ve finally gotten around to recording my Bliptronic 5000, which was actually harder than expected. The headphone jack is plenty loud but really noisy (as you’d expect from a $50 synth), and the line-out jack sounds crystal-clear on speakers – but it turns out that I’d need a preamp to record from this.

After moderate success trying to use an equalizer to remove the noise, I decided to just accept it as part of the synth’s low-fi charm. I ran it through Garageband’s “Intense Whispering” effect, which gave it kind of a guitar-ey sound. When no notes played, the noise ended up sounding like a rhythm guitar. Turns out if you run synths through some distortion and play with the EQ, you too can sound like Justice!

I have a tendency to tinker and tweak music until it’s perfect, which means nothing ever gets finished or posted. I’m trying to break away from that, and in that spirit I’ve posted several minutes of crazy noises that I recorded last night. It’s not particularly polished, but boy does it sound cool. I recorded the Bliptronic in one take, and during the end part the synth is actually unplugged. It turns out that if you touch the end of an unplugged patch cable, that’s enough to create some interesting noises.

Listen at your own risk below.

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New Song: Black Zero

I a few days ago, I finished a new track called Black Zero, named after the character from my friend Tom Pinchuk’s Ruin. (Shameless plug: his upcoming hardcover, Hybrid Bastards, rocks!) Anyway, have a listen:

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After the break: audio geekery and what’s next for this song.
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I am in old-school rave heaven

The Prodigy - Invaders Must DieWell, actually, I imagine rave heaven involving glowsticks, loud music, and lots and lots of E, but one out of three ain’t bad. No, not that one, wise guy.

I downloaded the new Prodigy record, Invaders Must Die for two bucks from Amazon.com, and it’s fantastic – completely worth the eight bucks that it costs now. Forget 2004’s rock-oriented, largely forgettable Always Outnumbered, Never Outgunned, this is the real deal, with lots of wild, blippy synths and the monster beats that only Liam Howlett can deliver.

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Record Review: Ant Neely – Not Fit for Human Consumption

It takes serious cajones to base a jazz track around the sound of a telegraph machine and a drum n’ bass beat, but Antony “Ant” Neely pulls it off in Not for Human Consumption. As the guitarist and synth whiz of subthunk, he’s made a solo record that channels the free-form jams of his band’s earlier work as well as the punchy, structured songs of 2005’s You Should’ve Been Here Yesterday. “Lucky” mixes a playful pulse wave bassline with sinister strings and samples from a 50s movie, while “Might as Well Whistle” sounds like the soundtrack to a 70s game show. The record is alternately bleak, goofy, and heartbreaking, and Neely brings the jazz chops and studio wizardry to make it all work. If the Flaming Lips swore off rock and formed a jazz trio on the moon, this is what they would sound like.

More info (and free, Creative Commons-licensed download): www.antneely.com